http://www.colettebaronreid.com/blog/new-thought/science-2012-part/ Sun, 17 Jul 2011 14:59:04 -0400 http://wordpress.org/?v=2.8.6 hourly 1 http://www.colettebaronreid.com/blog/new-thought/science-2012-part/comment-page-1/#comment-380 Lee Anne Rosenblum Fri, 02 Oct 2009 00:29:11 +0000 http://www.colettebaronreid.com/blog/?p=292#comment-380 This makes absolute sense to me. The fibenace sequence, or the golden rule that repeats everywhere throughout the universe is another example of that repetition of pattern. I always pictured the "Mystery" like a big record album with circles that go out and out into eternity and contained in each "Song" are all the rythms that connect and are part of,the bigger one. Okay, I am not nearly as articulate as Collette, but I feel like I really get this concept. Thank you for explaining it so eloquently.! That mathematical sequence that I probably misspelled, is tied in with our whole sense of aesthetics. It's a ratio that is the basis of proportions in say, Greek sculpture, one of the most idealized replicas of the human form. It is pleasing to our eyes because it is "comfortable" to us as it is throughout nature. When a piece of art "works" it's proportions or arrangement is probably somehow derived (probably not consciously) from this ratio. PS I just tried to give this a 5 star rating but only one went in, sorry I think its a big shiny 5 star!!!! This makes absolute sense to me. The fibenace sequence, or the golden rule that repeats everywhere throughout the universe is another example of that repetition of pattern. I always pictured the “Mystery” like a big record album with circles that go out and out into eternity and contained in each “Song” are all the rythms that connect and are part of,the bigger one. Okay, I am not nearly as articulate as Collette, but I feel like I really get this concept. Thank you for explaining it so eloquently.! That mathematical sequence that I probably misspelled, is tied in with our whole sense of aesthetics. It’s a ratio that is the basis of proportions in say, Greek sculpture, one of the most idealized replicas of the human form. It is pleasing to our eyes because it is “comfortable” to us as it is throughout nature. When a piece of art “works” it’s proportions or arrangement is probably somehow derived (probably not consciously) from this ratio.
PS I just tried to give this a 5 star rating but only one went in, sorry I think its a big shiny 5 star!!!!

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